> SYSTEM: KOTAČI TIŠINE
> STATUS: ONLINE
> LOADING MEMORY FRAGMENTS...
> SIGNAL STRENGTH: 100%
> ACCESS GRANTED.

KOTAČI TIŠINE WHEELS OF SILENCE

DATUM: 29/01/2026

[D_31 PROZOR U BUNKER // WINDOW INTO THE BUNKER ]

[ PROZOR U BUNKER // WINDOW INTO THE BUNKER ]

// AUTHENTIC_REALITY_PROTOCOL_v1.0 //

HR EN

[SIGNAL_START]
LOCATION: // Bunker
TIMESTAMP: // 29/01/2026
STATUS: ACTIVE
--------------------------

BunkeForest_Window_View

Moderni svijet interneta je poput dvorana napravljenih od zrcala. Sve je pažljivo ispolirano kao staklo u kojem ljudi traže potvrdu svoje ljepote, svojih uspjeha i svojih savršenih života. Algoritmi su tu da obrišu mrlje i poprave kontrast. Svi blistaju, a nitko zapravo ne diše.

Kotači tišine nisu zrcalo. Ako tražiš odraz u zrcalu u kojem ćeš izgledati bolje, na krivoj si frekvenciji. Signal Kotača tišine ne filtrira ožiljke, ne pegla bore i ne skriva hrđu. Kotači tišine nude prozor u bunker. Bunker nije mjesto očaja, već mjesto istine. To je prostor buke u tebi koji ostaje kada vanjski svijet utihne. Unutra su stvari teške, hladne, gotovo opipljive. Unutra nema „like“ gumba, već samo odjek vlastitih koraka po betonu.

Većina će samo proći pored prozora bunkera Kotači tišine, ne obraćajući na njega pozornost. Taj je prozor previše mračan, zatvoren, previše... realan. I to je u redu. Sustav je tako dizajniran. Jer oni koji odluče proviriti kroz ovo okno, ne traže potvrdu lažne ljepote. Traže suputnika koji se ne boji mraka, blata na lancu i tišine koja ne laže.

U svijetu koji prodaje iluziju, stvarnost je postala ultimativni grunge.

[SYSTEM_LOG: Signal prvi put zabilježen 14/12/2025] Od tog datuma, bunker prikuplja prašinu i istinu. Frekvencija ostaje ista, dok god kotači sjeku tišinu.

// END_OF_TRANSMISSION. Čestitam što si me pronašao.

[ARHIVA_VIZUALNOG_SIGNALA: //INDUSTRIJSKA_REVOLUCIJA_DEKODIRANO]



The modern digital world is like a hall of mirrors. Everything is as polished as glass, where people seek validation for their beauty, their success, and their perfect lives. Algorithms are there to wipe away the stains and fix the contrast. Everyone glows, but no one actually breathes.

Wheels of Silence is not a mirror. If you are looking for a reflection in which you will look better, you are on the wrong frequency. The signal of Wheels of Silence does not filter scars, does not smooth wrinkles, and does not hide rust. Wheels of Silence offers a window into the bunker. The bunker is not a place of despair, but a place of truth. It is the noisy space within you that remains when the outside world goes quiet. Inside, things are heavy, cold, almost tangible. There are no "like" buttons inside, only the echo of your own footsteps on the concrete.

Most will walk past the window of the Wheels of Silence bunker. It is too dark, too closed off, too... real. And that is okay. The system is designed that way. For those who choose to peer through this pane are not looking for confirmation of fake beauty. They are looking for a companion who is not afraid of the dark, the mud on the chain, and the silence that does not lie.

In a world that sells illusion, reality has become the ultimate grunge.

[SYSTEM_LOG: Signal first recorded on 12/14/2025] Since that date, the bunker has been collecting dust and truth. The frequency remains the same, as long as the wheels cut through the silence.

// END_OF_TRANSMISSION. Congratulations on finding me.

[VISUAL_SIGNAL_ARCHIVE: //INDUSTRIAL_REVOLUTIONS_DECODED]



> POKRENI KALIBRACIJU SUSTAVA <

ULAZ U MODUL

> START SYSTEM CALIBRATION <

ACCESS MODULE

// STATUS: AWAITING_OBSERVER_INPUT //

STROJ / MACHINE: // Cube Touring Pro Maroon 2025
DISTANCA / DISTANCE: // 0km/Hibernation

Održavanje stroja i ove arhive zahtijeva energiju. Postani izvor snage.

Maintaining the machine and this archive requires energy. Become a power source.

INJECT FUEL /// UBACI GORIVO
SIGNAL_UPLINK: kotacitisine@gmail.com
PRATI SIGNAL / FOLLOW SIGNAL:
[FACEBOOK]
DATUM: 11/01/2026

[D_20: KROZ SJENE I KROŠNJE - THROUGH THE TREES AND BRANCHES]

Anatomija jednog stiska


DATUM: [11. siječnja 2026.]

LOKACIJA: Negdje između sjećanja i asfalta

STATUS: In motion (ali ne sam)


Nismo imali GPS. Nismo imali ni kartu. Na početku, put nije bio staza. Bio je bljesak. Sjećaš li se? Zvijezde su tada bile niske, toliko niske da smo ih mogli brati rukama. More je udaralo u obalu ritmom koji nismo morali učiti – bio je to naš puls. Koračali smo kroz te valove, kroz tu pjenu snova, uvjereni da sol na koži nikada neće ishlapiti.

Onda je došao Vrt. Nije to bio običan vrt. Zasadili smo "Cvjetove života". Krhke. Zahtjevne. Tražili su zaklon od tuče koja je padala okomito, bez najave. Tražili su naša tijela kao štit od zime koja grize kosti i od suše koja pretvara zemlju u prah. Zalijevali smo ih znojem. Hranili ih snovima kojih smo se sami odrekli. Rasli su. I mi smo rasli s njima, ne u visinu, nego u otpornost.

A onda... promjena terena. Topografija se iskrivila. Ušli smo u zonu bez signala. Zovi to kako hoćeš. Neki to zovu krizom. Ja to zovem Mordor.

Nebo je postalo boja olova. Zrak je postao gust, težak za disanje, kao da udišeš pepeo vulkana koji nikad ne spava. Sjene su se izdužile. Drveće oko nas – pogledaj sliku – više nije bilo zeleno. Postalo je crno. Grane su postale kandže. Tu, u tom mraku, odigrala se drama koja nema svjedoka. Nema publike. Nema pljeska. Postoji samo tišina koja vrišti.

Ali... pogledaj bolje. Pogledaj centar tog crnila. Tamo gdje bi logika naložila bijeg, dogodilo se nešto iracionalno. Ruka nije pustila ruku.

To je taj "grunge" trenutak. To nije holivudska romansa s filterima. To je prljavi, teški, stvarni inat. Stisak koji kaže: Prolazimo. Čak i ako pečemo tabane na lavi.

Danas? Danas još uvijek koračamo tom džunglom. Pustopoljina je i dalje tu, vreba iza svakog ugla. Magla zna biti gusta. Ali naučili smo gledati. Ne tražimo više vatromet. Tražimo pukotinu u oblacima. Tražimo Sunce. Ono se ponekad sakrije, da. Ponekad izgleda kao da je zauvijek ugaslo iza planine Usuda. Ali znamo da je tamo.

To se ne zove bajka. To se zove Život. Sirovi, neobrađeni, nefiltrirani život u dvoje.

Krug još nije zatvoren.

Hodamo dalje.

▼ English Version // Transmission Log

ANATOMY OF A GRIP

DATE: [January 11, 2026]

LOCATION: Somewhere between memory and asphalt

STATUS: In motion (but not alone)

We didn't have GPS. We didn't even have a map. At the beginning, the path wasn't a trail. It was a flash. Do you remember? The stars were low then, so low we could pick them with our hands. The sea battered the shore with a rhythm we didn't have to learn – it was our pulse. We walked through those waves, through that foam of dreams, convinced that the salt on our skin would never evaporate.

Then came the Garden. It wasn't an ordinary garden. We planted "Flowers of Life". Fragile. Demanding. They sought shelter from hail that fell vertically, without warning. They sought our bodies as a shield from the winter that bites the bones and from the drought that turns earth into dust. We watered them with sweat. We fed them with dreams we had renounced ourselves. They grew. And we grew with them, not in height, but in resilience.

And then... a change of terrain. The topography distorted. We entered a zone with no signal. Call it what you want. Some call it a crisis. I call it Mordor.

The sky turned the color of lead. The air became thick, heavy to breathe, like inhaling ash from a volcano that never sleeps. Shadows elongated. The trees around us – look at the picture – were no longer green. They became black. Branches became claws. There, in that darkness, a drama played out with no witnesses. No audience. No applause. There is only silence that screams.

But... look closer. Look at the center of that blackness. Where logic would dictate flight, something irrational happened. The hand didn't let go of the hand.

That is that "grunge" moment. This isn't a Hollywood romance with filters. This is dirty, heavy, real spite. A grip that says: We are passing through. Even if we burn our soles on lava.

Today? Today we are still walking through that jungle. The wasteland is still there, lurking around every corner. The fog can be thick. But we learned how to look. We no longer look for fireworks. We look for the crack in the clouds. We look for the Sun. It hides sometimes, yes. Sometimes it looks like it has gone out forever behind Mount Doom. But we know it's there.

That isn't called a fairytale. It is called Life. Raw, unprocessed, unfiltered life for two.

The circle is not closed yet.

We keep walking.

Ovo nije milostinja, ovo je **gorivo za prijenos signala**.

Održavanje stroja, kotača i ove arhive zahtijeva energiju. Ako rezoniraš s ovom frekvencijom, postani izvor snage za sljedeće objave.

// This is not charity; it is fuel for the transmission. Support the mission to keep the signal active.

INJECT FUEL /// UBACI GORIVO ///
Neke stvari se ne govore glasno. One se šalju kroz tišinu, od jednog biološkog stroja drugome. // Some things are not meant to be spoken aloud. They are sent through silence, from one biological machine to another.
SIGNAL_UPLINK: kotacitisine@gmail.com
DATUM: 08/01/2026

[ D_16 // SIGNAL: RE-STARTING FROM ZERO ]

"Nisam gotov. Počinjem od tijela koje je već krvarilo, trčalo i borilo se, da bih u tišini asfalta pronašao ono što je stvarno."

// [ ARCHIVE_ENTRY_REF: 167 ] I am not finished. I start from a body that has already bled, run, and fought, only to find what is real in the silence of the asphalt.
Void Path

PUT u PRAZNINU // THE VOID PATH

[ SYSTEM_REPORT: 50_YEARS_LOAD ]

"Pet banki na plećima. Pola stoljeća. Dovoljno godina da znaš što ti tijelo govori, ali i dovoljno inata da kažeš: Fuck off!" // Half a century on the shoulders. Enough spite to say: Fuck off!

[ DOKAZNI_MATERIJAL: RTG_SCAN_REF_158 ]

HR: Nalaz: Osifikacija Ahilove tetive, 16x3 mm. To je dimenzija mog zatvora. Crno-bijele slike koje urlaju istinu dok ja šutim.

// EN: Findings: Achilles tendon ossification, 16x3 mm. This is the dimension of my prison. B&W images screaming the truth while I remain silent.

[ ARCHIVE_LOG: PROTEZA_ZA_DUŠU ]

"Trčanje je bilo moj jezik. Kad je taj jezik iščupan, morao sam naučiti novi. Bicikl je došao tiho, kao proteza za dušu. Kompromis koji je postao stvarnost."

// Running was my language. When it was uprooted, I had to learn a new one. The bicycle came quietly, as a prosthesis for the soul.

Tražio sam put tamo gdje ga nema. Ostavio sam asfalt civilizacije iza sebe i ušao u zonu nulte vidljivosti. Svaki metar je bio borba s biologijom, ali i pobjeda nad digitalnom bukom. Kotači su jedini koji govore istinu.

// I sought a path where none existed. I left the asphalt of civilization behind and entered the zone of zero visibility. Every meter was a struggle with biology, but also a victory over digital noise. The wheels are the only ones that tell the truth.

[ RECOMENDED_FREQUENCIES: AUDIO_EHO ]

DEPECHE MODE - NEVER LET ME DOWN AGAIN

"I'm taking a ride with my best friend... I hope he never lets me down again."

// DATA_STREAM: ENTRY_D_16_RECOVERY
// GLOBAL_INDEXING: ACTIVE_FROM_ZERO
// STATUS: SIGNAL_TRANSMITTED_TO_BEYOND
INJECT FUEL // UBACI GORIVO
DATUM: 22/12/2025

[D_06 // KAPITULACIJA I RENESANSA // LOKACIJA: BUNKER (PITOMAČA) // STATUS: REKALIBRACIJA SUSTAVA / POVRATAK BOJAMA // CAPITULATION AND RENAISSANCE // LOCATION: BUNKER (PITOMAČA) // STATUS: SYSTEM RECALIBRATION / RETURN TO COLORS]

░▒▓█  I. JUTRO POSLIJE (BIJELA ZASTAVA)  █▓▒░

Probudio sam se i znao. Nije trebalo ni stati na nogu. Ona mitska struna, Ahilova tetiva, odlučila je da je jučerašnjih 5k bio čin objave rata. Jutros je potpisala primirje. Jednostrano.

Gledam scenu u dnevnom boravku. Izgleda kao mjesto zločina ili oltar nekog čudnog kulta. Štake - stari znanci iz 2022. - izvučene su iz naftalina. Tu je i bijela zastava. Doslovno. Predaja? Ne, samo strateško povlačenje. A na jastuku... ne leži glava. Na jastuku, kao kraljevski dragulj, leži kazeta bicikla. Zupčanici. Metalni bog kojemu se sada moram moliti jer asfalt više ne prima moje tenisice. To je poruka samom sebi: Ako ne možeš trčati, vrtit ćeš se.

Tišina poraza. Metal na plišu. Čekanje.

░▒▓█ II. DOKAZNI MATERIJAL (RUDOLPH JE KRIV) █▓▒░

U ruci držim dokaz jučerašnje gluposti. "Run Run Rudolph". Jučer sam napisao, danas ponavljam: Zvuči kao dječja pjesmica. Ali težina medalje u ruci podsjeća me na cijenu jučerašnjih 5k". Dok gledam taj komad materije, razmišljam o njima. O Plemenu Novorođenih Nogu. Znate ih. To su oni koji cijelu godinu hiberniraju, a onda, kad prosinac zamiriše na kuhano vino i hype, odjednom otkriju da imaju donje ekstremitete. Navuku najskuplje tajice, kupe tenisice koje svijetle u mraku i jurišaju na 5K kao da bježe od lavine. Nisam dio tog cirkusa. Ne trčim kampanjski. Moji kilometri imaju godove. Ali ironija je okrutna - oni danas hodaju ponosno s upalom mišića, a ja, veteran, gledam kako mi gležanj otiče.

Sjećam se proročanstva iz 2022., onog "dobronamjernog" glasa: "Samo ti daj. Gledat ćemo te na Paraolimpijadi." Tada je bila zeka-peka. Danas, dok držim ovu medalju prljavim prstima, to zvuči kao karijerni plan.

░▒▓█ III. CRNA KULA (STATIČNI KOTAČ) █▓▒░

Vanjski svijet je zatvoren. Vrata se zaključavaju. U kutu sobe, ispod mojih slika, čeka on. Sobni bicikl. Sprava za mučenje koja ne vodi nikamo. Najskuplja vješalica za rublje u povijesti danas postaje moj jedini izlaz. Sjene na zidu plešu dok pedaliram u mjestu. Nema vjetra u kosi, nema promjene pejzaža. Samo znoj koji kapa na parket i zvuk zamašnjaka koji broji sekunde. Ovo je Buka u glavi pretvorena u Tišinu u nogama.

> **SOUNDTRACK ZA STATIČNO PUTOVANJE:** >
*Mad Season - River of Deceit* >
*"My pain is self-chosen..."*

░▒▓█ IV. POVRATAK KISTU (AKRILNA TERAPIJA) █▓▒░

Ako noge šute, ruke moraju vrištati. Dugo su boje spavale. Fokus je bio na kadenci, na paceu, na otkucajima. Sada, kad je tijelo i opet prisilno parkirano, duh se vraća starom alatu. Akrilik. Miris boje. Potez kista koji ne traži dopuštenje tetive. Gledam svoje stare radove. Te žute ulice, te sjene ljudi koji hodaju (oni mogu hodati!). Slika "Be the Change" iz 2014. Danas mi se ruga, ali me i zove. Promjena nije uvijek izbor. Ponekad je promjena samo sila koja te natjera da sjedneš i uzmeš kist u ruke jer je to jedini način da ostaneš normalan. Vraćam se platnu. Vraćam se zamrzavanju trenutka.

░▒▓█ V. IZVIĐAČKA JEDINICA I ARHIVA █▓▒░

Netko ipak mora van. Felix. Moj vjerni supatnik. Dok ja glumim ranjenog lava u kavezu, on preuzima patrolu. Njegov rep je jedini metronom koji danas trebam. On ne mari za moju ozljedu, on mari za mirise. Gledam ga - u njegovim očima nema osude što sam spor. Samo čista, dlakava prisutnost. I dok on spava nakon šetnje, ja kopam po arhivi. Medalje na zidu. Stari brojevi. To nije muzej prošlosti. To je gorivo za iduću tišinu.

Izgubljena je bitka, ali rat... rat se nastavlja drugim sredstvima. Bicikliranjem. Slikanjem. Fotkanjem. Core vježbama...

Kotači se i dalje vrte. Samo su promijenili dimenziju.

End transmission.
[ EN // DECRYPTED_SIGNAL: THE_MORNING_AFTER ]
░▒▓█ I. THE MORNING AFTER (WHITE FLAG) █▓▒░

I woke up and I knew. I didn't even have to step on my foot. That mythical string, the Achilles tendon, decided that yesterday's 5k was an act of war declaration. This morning, it signed a truce. Unilaterally.

I'm looking at the scene in the living room. It looks like a crime scene or an altar of some strange cult. The crutches – old acquaintances from 2022 – have been pulled out of mothballs. There is also the white flag. Literally. Surrender? No, just a strategic retreat.

And on the pillow... it's not a head lying there. On the pillow, like a royal jewel, lies a bike cassette. Gears. The metallic god I must now pray to because the asphalt no longer accepts my sneakers. It's a message to myself: If you can't run, you'll spin.

░▒▓█ II. EVIDENCE (RUDOLPH IS GUILTY) █▓▒░

In my hand, I hold the evidence of yesterday's foolishness. "Run Run Rudolph." Yesterday I wrote it, today I repeat it: It sounds like a children's song. But the weight of the medal in my hand reminds me of the price of yesterday's 5k.

Looking at that piece of matter, I think about them. The Tribe of Newborn Feet. You know them. Those who hibernate all year long, and then, when December smells like mulled wine and hype, they suddenly discover they have lower extremities. They pull on the most expensive leggings, buy sneakers that glow in the dark, and charge at the 5K as if running from an avalanche.

I am not part of that circus. My kilometers have growth rings. But the irony is cruel – today they walk proudly with muscle soreness, while I, the veteran, watch my ankle swell. I remember the prophecy from 2022, that "well-meaning" voice: "Keep going. We'll be watching you at the Paralympics." Back then it was a joke. Today, holding this medal with dirty fingers, it sounds like a career plan.

░▒▓█ III. BLACK TOWER (STATIC WHEEL) █▓▒░

The outside world is closed. Doors are locking. In the corner of the room, beneath my paintings, he waits. The indoor bike. A torture device that goes nowhere. The most expensive clothes rack in history today becomes my only exit.

Shadows dance on the wall while I pedal in place. No wind in my hair, no change of landscape. Just sweat dripping onto the parquet and the sound of the flywheel counting the seconds. This is the Noise in the head turned into Silence in the legs.

░▒▓█ IV. RETURN TO THE BRUSH (ACRYLIC THERAPY) █▓▒░

If the legs are silent, the hands must scream. For a long time, the colors slept. The focus was on cadence, on pace, on heartbeats. Now, when the body is forcibly parked once again, the spirit returns to the old tool. Acrylic.

The smell of paint. A brushstroke that doesn't ask the tendon for permission. I look at my old works. Those yellow streets, those shadows of people walking (they can walk!). The painting "Be the Change" from 2014. Today it mocks me, but it also calls me. Change isn't always a choice. Sometimes change is just a force that makes you sit down and pick up a brush because it's the only way to stay sane. I return to the canvas. I return to freezing the moment.

░▒▓█ V. RECON UNIT AND ARCHIVE █▓▒░

Someone has to go out, after all. Felix. My faithful companion. While I act like a wounded lion in a cage, he takes over the patrol. His tail is the only metronome I need today. He doesn't care about my injury; he cares about scents. In his eyes, there is no judgment for my slowness. Just pure, furry presence.

And while he sleeps after the walk, I dig through the archive. Medals on the wall. Old race numbers. It's not a museum of the past. It's fuel for the next silence.

The battle is lost, but the war... the war continues by other means. By cycling. By painting. By photographing. By core exercises... The wheels are still turning. They've just changed dimension.

END TRANSMISSION.
[ X ]

// SUSTAV: DEŠIFRATOR

> OPERATER
Entitet koji upravlja sustavom. Promatrač na dva kotača. Onaj koji bilježi analogne trenutke u digitalnom vremenu. Nije samo vozač; on je svjedok.
> NULTA TOČKA
Mjesto polaska i povratka. Dom. Jedina statična koordinata u kaotičnom svijetu. Točka iz koje se mjere sve udaljenosti, fizičke i mentalne.
> EHO
Digitalni odjek stvarnog događaja. Trag koji ostaje nakon što zvuk prestane, a kotači stanu. Arhiva onoga što je moglo biti zaboravljeno.
> OPTIKA
Vizualni modul sustava. Slike, skice i boje koje nastaju kada riječi postanu nedostatne. Način na koji Operater vidi svijet kada skine naočale.
> HARD COPY
Materijalizacija signala. Budući artefakt od papira i tinte. Težnja da se digitalni zapis pretvori u nešto opipljivo i trajno.
> GRAVEL
Sloboda. Podloga koja ne trpi greške, ali nagrađuje hrabrost. Prijelazna zona gdje asfalt (civilizacija) prestaje, a tišina počinje.
> PROTOKOL KOMUNIKACIJE
Sustav ne podržava javne komentare radi očuvanja integriteta tišine. Izravni signali Operateru šalju se isključivo putem e-mail protokola. Svaka poruka je fragment koji se pažljivo dešifrira unutar bunkera.
// KRAJ LOGA.
// SUSTAV U PRIPRAVNOSTI.
/// KOTAČI TIŠINE /// NOVI_FRAGMENT_ONLINE /// HARD_COPY_v.2026_STR_042 /// SINKRONIZIRAJ_RADAR ///
^